Events in April 2025

  • April Program: Moving Towards Abstraction presented by Gail Sibley

    April Program: Moving Towards Abstraction presented by Gail Sibley


    April 14, 2025

    Join us for a fun and creative program with artist Gail Sibley as we explore moving towards abstraction in our art this April!

    Join us for the April Program: Moving Towards Abstraction presented by Gail Sibley!

    Ready to dive into the world of abstract art? This event is perfect for art enthusiasts looking to explore new creative horizons. Gail Sibley, a renowned artist, will guide you through the process of moving towards abstraction in your own work.

    Don't miss this opportunity to learn from a talented artist and connect with fellow art lovers. The event will take place on Mon, April 14 2025 at 6:30 PM in Eastern Daylight Time. Come ready to be inspired and unleash your inner creativity!

    ATTENTION: SPS MEMBERS-This program is not sold out! You will receive the registration link via email.

    ATTENTION NON-MEMBERS-If you would like to attend this program and future programs for free please join SPS here: https://southeasternpastel.com/membership/

    Artist Statement

    A painting has a journey all its own. It comes into being through the hand, heart, mind, and spirit of the artist and then goes out into the world where, with good fortune, it finds the soul who resonates with it. This is my wish for every painting I create. And also my wish for you - to find the painting that speaks to you and will bring you pleasure for years to come.

    Hi!

    I'm Gail.

    A professional artist living in Victoria, BC on the Canadian West Coast.

    I’m crazy about colour and at the same time, a limited palette is my jam! Whether I’m painting in soft pastels or paint (acrylic, watercolour, or oil), my focus is on creating a visual extravaganza of colour using the smallest number of colours. Crazy huh? (Whether you’re a student at the GailSibleyArtSchool or a subscriber to my HowToPastel blog, you’ll hear about the benefit of a limited palette. All. The. Time.)

    Along with creating art, I also love teaching. With the last two pandemic years, so much of our lives have been pushed online and that’s where you’ll find me sharing my knowledge and encouraging students to believe in themselves and their unique voice. Happily, in-person workshops are coming back!

    Life has a funny way of distracting you from your soul’s purpose (in my case for example, taking on the work of a Masters degree in Art History and more recently, creating IGNITE! an art-making membership) but always, always, the call deepens and when I hear and surrender to that call, returning fully to my art-making, I’m my most joyful self. Creating artwork that reveals the beauty in the world even in the most ordinary and mundane of subjects is the challenge and the reward.

    To see my paintings, check out my Shop, my posts on Instagram, Facebook, and Pinterest, and the Peninsula Art Gallery website.

    If you’d like to be alerted when new work is available, sign up here.

    Artist Statement

    I have two art processes – one is a response to the outside world of ‘reality’ and the other is a response to the work itself, one that follows an inner sense. The medium for both processes can be pastel, acrylic, charcoal, watercolour, or oil.

    In the first process, I paint what I see, often the mundane things in life – two pears, a vase of tulips, a couple conversing outside a restaurant, laundry in the wind. These are the ordinary parts of our lives, often invisible until attention is put on them, yet those small moments of experience can make us glad to be alive. Every day I see some combination of light and shadow or colour that begs to be painted and some days I am lucky enough to have the time, the intention, and the confidence to capture the feeling of what I have seen.

    In the second process, reacting to the artwork itself, takes for me, more bravery, more determination, more detachment from what is already on the canvas; I must surrender to its needs, not mine. I let the piece lead the way rather than dictating the outcome.

    The beginning is paint, collage, gel – scored or mounded, anything that creates a surface of colour and texture. This is a time of play and freedom of expression. Then I look and ponder what is offered. I refine that offering, little by little, by emphasizing the shapes that have revealed themselves. And then I look and look again. I either continue on the journey that is in progress or, as happens all too often especially when I am dissatisfied with what is there, I take a new road and things change and there is suddenly a new vista. And so this process continues – looking, painting, looking, painting – until the work has nothing more to tell me. The conversation has ended and so the piece is finished.

    Gail Sibley

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    2025

    Gail Sibley. All rights Reserved.

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  • "Break Free from Reference Photos" by Karen Margulis, PSA-MP, IAPS-EP

    "Break Free from Reference Photos" by Karen Margulis, PSA-MP, IAPS-EP


    April 25, 2025

    In this workshop I will share my tips and techniques for the effective use of photos to inspire paintings.

    ATTENTION PARTICIPANTS: THIS IS A THREE DAY IN-PERSON WORKSHOP - April 25, 26 & 27.

    This workshop is brought to you by SPS in partnership with Alpharetta Recreation Parks & Cultural Services.

    Synopsis:

    3-day Pastel Workshop "Break Free from Reference Photos”

    Artist: Karen Margulis, PSA-MP IAPS-EP

    We can all benefit from ideas to help us create more expressive paintings. I am always striving to interpret my subject by including my own personal touch rather than copying the reference and painting exactly what I see.

    In this workshop I will share my tips and techniques for the effective use of photos to inspire paintings.

    Ill give you the tools you need to move away from copying the reference and to help you create stronger paintings.

    I will do multiple demos and share lessons and challenges as well as offer plenty of help at your easel! The supply list is below.

    About Karen Margulis:

    Karen Margulis PSA-MP IAPS-EP

    Karen Margulis is a full time artist and art educator. She lives in Atlanta Georgia with her husband Michael. Karen received her BA in Education from the University of Florida. She currently teaches painting workshops around the world. Karen is a contemporary landscape painter. She works in most painting media but has achieved recognition for her pastel paintings. She has exhibited her award winning work around the world and has been reviewed by Pastel Journal for her wildflower paintings. She is a Master Pastelist member of the Pastel Society of America and has achieved Eminent Pastelist status with the International Association of Pastel Societies. She has been a faculty member at theprestigious IAPS Convention, the Plein Air Convention and the online Pastel Live conference. Karen has a passion for travel and painting while on location. She enjoys the opportunity to share her techniques and approach to making art in her workshops. She is known for her ability to make art simple, accessible to all and fun. Karen is also an avid Daily Painter and online instructor. She paints everyday and shares her work, art tips and inspiration in her daily posts in her Patreon group ‘Pastels Made Simple’. Karen is delighted to be able share her love of pastel painting. She is excited to help students experience the joy of painting and to see the world with new eyes. As Degas said “Art is not what you see. It’s what you make others see”. Karen looks forward to helping others share their own artistic vision.

    Karen Margulis Workshop Supply List

    Welcome! I am excited to have you join my workshop. I am sharing a list of suggested supplies. These are only suggestions. I will be using these supplies in my demos . I will be using my set of Floral Landscape Terry Ludwig pastels. There is no need to purchase anything for the workshop. Feel free to use what you have. I will be available by email to answer your supply questions.

    karenmargulis@gmail.com

    Selection of your favorite pastels.

    Be sure you have a variety of values including colorful darks and lights. You also need some grayed colors along with the pure intense colors. Don't worry if you don't have a large pastel collection! Remember the cavemen painted with charcoal and dirt! If you are new to pastels and have a limited collection consider supplementing your pastels with a set of hard pastels such as Nupastels. These inexpensive pastel sticks will help expand your collection.

    Black pastel or some type of black painting medium for underpainting. I will be using black Art Graf pigment squares but any black medium will work. https://www.viarco.pt/wp-content/uploads/2018/08/artgraf_tonsterra-pt.pdf

    Paper. Have available several pieces of your preferred paper in a variety of sizes from 5x7 up to 11x14. Plan on using at least 2-5 pieces of paper each day. UArt or Luxarchival paper is my preferred paper and works well for wet underpainting. LaCarte paper will not work for some of the techniques I will share. Id rather you have more paper available than not enough!

    Backing board and tape: Foamcore works fine. I get mine at the Dollar Tree. I attach my paper to the board using artist tape using tape hinges. See this blog article describing my process: http://kemstudios.blogspot.com/2017/04/my-favorite-tip-for-attaching-paper-to.html Avoid using colorful painter's tape as it adds a new color to your palette!

    • Rubbing alcohol 70% and cup

    • Inexpensive watercolor set and brush

    • Inexpensive brush for wet underpaintings

    • Pencil for initial drawings

    • Blending tool. Anything to spread the pastel around. I use pipe insulation foam. Viva paper

    towels work well.

    • Grayscale markers for value thumbnails. I use three… a dark gray a middle value gray and a light gray. You can also use a pencil, charcoal pencil or pen.

    • Index cards for thumbnails. I use the 3x5 inch size.

    Optional: Workable Fixative. I use rubbing alcohol in a continuous spray bottle.

    REFERENCE PHOTOS: I prefer that you use your own reference photos for the workshop. I will be doing landscape demos. Gather some possible landscape photos for your painting exercises.

    Alpharetta Arts Center
    238 Canton Street, Alpharetta, GA 30009
    Alpharetta, GA 30009
    US

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